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Because of the rooted Spanish aristocratic prejudice against commerce and manual labor, the work of painters in the colonies of New Spain was not highly valued in the 1600s. Painting was considered an artisan activity, more physical than intellectual, much like that of tailors or blacksmiths. The persistence of guilds (trade associations), also inherited from Spain and maintaining their vitality overseas, contributed decisively to keeping such feudal beliefs about painting in force. However, the guilds and the workshop system they fostered also set the stage for the development of distinctive works of art determined by local rather than European conditions and specific to the various communities of the Hispanic American world.

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