Difficulty: Easy

Average Score: 80%

Strictly speaking, gargoyles are spouts carved on the outsides of a building. They protrude from a roof gutter and are designed to direct water away from the roof. The word "gargoyle" comes from the Old French gargouille and the Late Latin gurgulio, both of which mean "throat." While we usually think of gargoyles as being carved in the shapes of grotesque animals or people, some are undecorated, serving a purely utilitarian function.

The author includes and defines the words 'gargouille' and 'gurgulio' primarily to

Rationale

connect the name and function of gargoyles.

The author defines the words 'gargouille' and 'gurgulio' to illustrate the etymological link between the names of these figures and their practical function as water spouts, thereby enhancing the reader's understanding of both the term and its purpose.

A (describe the physical appearance of gargoyles) YOUR ANSWER

While the author discusses gargoyles, the definitions of 'gargouille' and 'gurgulio' do not focus on their physical characteristics. Instead, the emphasis is on the etymology and functionality of these structures, rather than their visual attributes.

B (connect the name and function of gargoyles) CORRECT

The definitions serve to bridge the gap between the terminology and the practical role of gargoyles as water spouts, demonstrating how the words are intrinsically linked to their purpose. This connection enriches the reader's comprehension of gargoyles in both a linguistic and functional context.

C (establish the geographical origin of gargoyles) YOUR ANSWER

The text does not specify the geographical origins of gargoyles through the definitions provided. Instead, the focus is strictly on the meanings of the terms, which relate more to their function than to their place of origin.

D (suggest the artistic and cultural value of gargoyles) YOUR ANSWER

Although gargoyles have artistic and cultural significance, the definitions of 'gargouille' and 'gurgulio' do not highlight this aspect. The primary intent is to clarify the names' meanings and their relationship to the gargoyles' function, rather than to explore their artistic merit.

Conclusion

The inclusion of the terms 'gargouille' and 'gurgulio' serves a specific purpose—connecting the names to the practical function of gargoyles as water spouts. This etymological insight deepens the reader's understanding of gargoyles, emphasizing the relationship between their nomenclature and utility, while the other choices misinterpret the intent behind the definitions.

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