Whose works, epitomized by Vanity Fair, are known for their satire and parody, along with attacks on high society?

While Jane Austen's novels do critique aspects of society and human behavior, her focus is more on the romantic and social dynamics of her characters rather than outright satire and parody of high society as seen in Thackeray's work. Austen's wit is subtle and often revolves around irony rather than the broad satirical strokes Thackeray employs.

Charles Dickens is known for his vivid portrayals of Victorian society and social reform, but his works primarily focus on social issues and the plight of the poor rather than the high society satire characteristic of Thackeray. Dickens's critiques often highlight the struggles of the lower classes rather than parodying the upper class.

George Eliot's novels delve into moral and philosophical issues, exploring human psychology and social relationships. While they contain social commentary, they do not possess the same level of satire and parody directed at high society that Thackeray's "Vanity Fair" exemplifies.

Mary Shelley is best known for her gothic novel "Frankenstein," which explores themes of creation and humanity rather than the social satire found in Thackeray's works. Her writing does not engage with high society in the same satirical manner.