Whose works, epitomized by *Vanity Fair*, are known for their satire and parody, along with attacks on high society?

While Jane Austen's novels, such as *Pride and Prejudice*, offer keen social commentary and critique of the upper classes, they lack the overt satire and parody present in Thackeray's work. Austen's focus is more on character development and romantic entanglements rather than the broad societal critique that defines *Vanity Fair*.

Charles Dickens is renowned for his vivid characters and depictions of social issues, as seen in novels like *Oliver Twist* and *David Copperfield*. However, his style is more focused on social reform and the plight of the poor than the biting satire and parody found in Thackeray's *Vanity Fair*, which specifically targets the vanity of high society.

George Eliot, known for her psychological insight and complex characters in works like *Middlemarch*, explores moral and philosophical themes rather than employing the satire and parody that characterize Thackeray's *Vanity Fair*. Her narratives often focus on personal development and social change rather than the ridicule of society’s elite.

Mary Shelley's contributions to literature, particularly through *Frankenstein*, delve into themes of creation and the human condition rather than satire. Her works lack the societal critique and humorous tone present in Thackeray's *Vanity Fair*, which specifically addresses the follies of high society.