(1) The term "film noir, meaning "dark cinema," or "black film" in French, was first used by French film critic Nino Frank in 1946 to describe a type of Hollywood film of the 1940s and '50s. (2) These films featured black-and-white cinematography, often with nighttime settings and menacing themes, suggesting an unstable world full of danger and moral corruption. (3) Dark shadows; streaks of bright light, and, off-balance compositions were all typical of the visual style. (4) These elements created an effect of disillusionment and bitter realism. (5) Many of these elements were brought to Hollywood by German directors fleeing their war-torn land.
(6) Many of the stories and a lot of the attitude of classic film noir come from the hardboiled school of detective and crime fiction that became popular in the United States during the Great Depression. (7) American writers such as Dashiell Hammett, whose novel The Maltese Falcon was made into one of the first big-budget film noirs, and James M. Cain being particularly influential. (8) Film noir can include a wide range of plots: the main character may be a private detective, a plainclothes policeman, an aging boxer, a con man, or a law-abiding citizen lured into a life of crime. (9) Betrayals and double-crosses also play an important role in many of these plots.
(10) Famous examples of film noir include Double Indemnity (1944), directed by Billy Wilder, The Big Heat (1953), directed by Fritz Lang; and Touch of Evil (1958), directed by Orson Welles. (11) Billy Wilder also directed many famous comedies, such as Some Like It Hot. (12) Although classic film noir is associated with American productions of the 1940s and '50s, many films from around the world and from the 1960s onward share many classic film noir traits. (13) For example, the films of Quentin Tarantino such as Pulp Fiction though, shot in color, have been heavily influenced by the genre of film noir.