(1) In the late 1800s, quilt making in the southern United States was generally characterized by simple, repetitive patterns or mass-produced commercial designs. (2) The pictorial quilts created by a former slave named Harriet Powers, however, were remarkable for their bold storytelling techniques and unique subject matter. (3) Powers's best-known pictorial quilt was commissioned in 1898. (4) The hand- and machine-sewn quilt measured 69 by 105 inches and consisted of 15 panels. (5) It is not clear when or where Powers learned to sew. (6) In the center of the quilt, the 'falling of the stars' illustrates the hours-long Leonid meteor shower that captivated people on November 13, 1833. (7) Another panel depicts icicles forming on the breath of a mule and a man with a sack of frozen meal, illustrating. (8) the unusual weather on February 10, 1895, when temperatures fell below zero in Georgia. (9) The minimalism of Powers's cotton appliqué human shapes stands in juxtaposition to the large scale of such events. (10) In addition to its artistic merit, Powers's quilt is distinctive for its incorporation of traditional West African design. (11) Although Powers had been born in Georgia and remained in the same region throughout her life, her quilt exhibits a number of stylistic similarities to the large, appliquéd cotton cloths used in festivals by the Fon people of Dahomey. (12) Most conspicuously, both use flat, dyed, and printed shapes that appear at first glance to be placed in arbitrary positions. (13) The quilt Powers made, along with her transcribed descriptions of the scenes in each panel, carries special significance. (14) Authentic artworks and firsthand accounts are relatively rare, so to have such a work preserved along with detailed commentary from its creator is invaluable. (15) The quilt eventually became the property of the Museum of Fine Arts in Boston. (16) Powers herself has become an honored part of American art history.